A letter from Charles, written in May of 1996, explaining why he moved down the dial...

"Forgive me for sending you this form response, but I want you to know how and why things went down the way they did. If you still have questions or things you want to say, feel free to write and I'll respond more personally. Obviously I'm getting a ton of email because of all the changes, so I apologize for answering you in such specific detail, but basically it comes down to this: Infinity Broadcasting, my bosses, have always been fair to me. They have never slid on any deals or verbal agreements, and they have always made decisions which turned out to be good for both me and for the radio station. When the Infinity Corporation bought WBOS a few months ago, we knew that it would be silly to keep two "franchise" d.j.s on at the same radio station; and even sillier to keep America's most famous morning man (Howard Stern) on at night in Boston. Someone had to go to either BOS or WZLX (the other Infinity station).

The decision was an easy one to make...A large segment of the 25 to 44 year-olds in Boston were turned off by some of the modern rock that I was playing at BCN, so they drifted back and forth from BCN to ZLX, BOS and other stations. These people were the same listeners who had grown up with WBCN and with me during the 70's, 80's and 90's... and they were also the same people who could relate to me better on a station that played classic rock, which features the original musicians and the songs that are the roots of every rock song coming out on CD today. I fit right in there.

And even though I LOVE new rock (doing alternative music on morning drive for the past two years has been one of my sweetest experiences ever in radio), we knew that I had to save my playing of Hole, NIN and Garbage for my CD player at home. We decided that the logical thing to do was for me to go over to WZLX, where most of my listeners felt more comfortable musically.

ZLX made me a great offer, giving me all kinds of perks, including free parking at the PRU for the entire BIG MATTRESS crew, all kinds of musical freedom, and the right to do any kind of radio that I would have fun doing. The thing that sucked? Besides not being able to play alternative music, and knowing that the media might "spin" this move in a negative way, I had to deal with the fact that I'd have to change those call letters that were so familiar to me, WBCN.

But you know something? It really was a decision that was not all that hard to make. In fact, I can honestly say that -- had I known what the folks at ZLX were willing to offer me -- I would have gone over there seven or eight years ago.

Think of it sort of like a company comes in and buys both the Red Sox and the Yankees. The company decides to make Fenway Park the home of the Yankees, and to have the Red Sox go across town and play in another park...I guess I'm the Red Sox in this little scenario.

Anyway, thanks for all your letters! I hope that explains things a little better -- and believe me -- I'm not giving this any kind of media "spin" -- I haven't felt so optimistic about anything like this in years! I'm sure that when people get wind of the fact that we're doing radio "the way it used to be" over at 100.7 FM, the decision will speak for itself."

 
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